Wednesday, 16 May 2018
Wednesday, 18 April 2018
Tuesday, 10 April 2018
It has been quite a while since I was last at the San Jose Municipal Garden. I vaguely remember a unsatisfactory ink drawing of the fountain and being jokingly asked to include a portrait when I was working on a rose. Even though it is really close to where I live, I still preferred driving 1 hr one way to San Francisco than staring at roses and trees all day. That said, I was still looking forward to painting with fellow sketchers in South Bay.
There were a lot of merry-making people in the park, including families and friends taking commemorative photos. I thought most of the flowers would be gone after the rain storm the previous day, but the flowers were surprisingly resilient and I saw plenty still fully blooming.
Monday, 9 April 2018
I was fortunate enough to get a spot to join the SF Sketchers in the Alcatraz tour over the weekend. When I signed up for the event 1 week ago, I was dead last at 18th on the waitlist. But by some divine intervention, I was confirmed to go the afternoon before the day of the event!
It was such a short notice that I had no time to rethink my decision to get up at 6am. To catch the staff boat we had be ready at the dock by 8am. Given 1 hr driving time, no prior experience parking around Pier 33, and the need to get breakfast and snack for the day, I gave myself a full 2-hour buffer. I was brutally awaken by my alarm, scrambled my stuff together, and then drove a couple minutes in the dark amidst light drizzle to a nearby donut shop (which opens at 5am for some unknown reasons...) I was expecting a dreary little place with no customers, but was pleasantly welcomed to a brightly lit and spacious diner with a handful of people already eating! Although I still have no idea what they're doing at 6am on a Saturday... I got my breakfast (tea and donut) and snack (breakfast burrito), then headed off North as the skies slowly brightened up.
I scouted a parking location w/ good review the day before at nearby Pier 27. I did notice the side note saying no public parking is allowed if a cruise ship is docked there, but ignored it nonetheless since I don't recall seeing a single cruise ship in all my years in the Bay Area! As luck would have it though, I saw a cruise ship docked at SF for the first time that morning.. and that means of course that I had to find somewhere else to park...fast! (I did find an unlimited time meter on Lombard street in the end)
A volunteer guide from the Golden Gate Park Conservancy walked us through 3 gardens on the island. Two of which are normally off-limits to visitors. You could still see the gardens from usual walking paths, but getting down a level to the garden itself really offers an entirely different view! This one, for example, has the garden, Warden's House, and the Bay bridge! This piece alone justifies the early morning Odyssey from South Bay for me.
Here's the piece with the actual view. It was really when we got on the island that the sun started poking out of the cloud, which came as a total surprise to all of us. Given the rain storm the other night, I packed all my rain gear and brought my most waterproof bag!
When I was drawing this, I heard a mom telling her son, "No, she's not a prisoner, she's a painter!" The part in the audio guide about prisoners painting must have really got into his head haha.
In the end I had to head back on an earlier ferry because I thought the event end time is the time we get back to the mainland... so I didn't put enough time into the parking meter... oh well~
Saturday, 7 April 2018
I successfully negotiated my way to a 20-hr layover in Tokyo. (a full-day stopover would have costed +4k to change, and it took a whole night of sleep for me to figure out that I could achieve a similar result by having a super long layover instead!) The only catch is that I needed to pack very carefully so as to bring just the right amount in my carry-on bag because I wouldn't have access to my suitcase until 30+ hrs later in the US.
Minus sleeping time, I really only had ~6 hrs of free time in Tokyo. The extra long queue at immigrations the night before had left me exhausted. It was probably the longest I have waited at the NRT immigrations: close to 1 hr in a line snaking multiple loops. This is because my choice of day unfortunately fell on the eve of the tomb-sweeping long weekend... (I was expecting crazy crowd in Tokyo because of the insane line, but the town was actually quite normal otherwise) Thankfully I still managed to get up, eat, and check out of the hotel before 10. I made a point to eat more than I felt like because given my schedule I'm fully aware my next meal will probably be on the plane.
This is my first time intentionally stay in Nippori neighbourhood, given its proximity to my first destination Yanaka/Sendagi and being endpoint of an airport express. Yanaka is known as one of the last Shitamachi's of Tokyo where small shops and grocers still line the street. In fact, when I was sketching at a street corner, I can hear neighbours greeting each other as they set up their shops or running morning errands on their bikes.
Looking down at Yanaka Ginza (main shopping street of Yanaka) from the top of the stairs. A steady stream of tourists and locals huffed and puffed their way up the stairs.
The delivery guys were so incredibly efficient that I was only able to capture a quick silhouette. (Guy in the red cap was doing some morning deliveries in his van)
Sunday, 11 March 2018
Since this weekend's event with the SF sketchers was later in the afternoon, I actually had the time to arrive in the city early enough to stop by somewhere else to paint first. Mission Creek Park was just a couple of blocks away from Arch Art Supplies, so I parked my car by the neighbourhood and strolled along the creek looking for good vantage points.
I was planning to draw the other side of the creek (since I did the boat side last time), but on closer inspection, it is really just new condos and trees - nothing too eye catching. Then I spotted the bridge (on 4th street) and the view at the end of it gave a wonderful view of the creek, distant hills, and the criss-crossed ramps. Just as I pulled out my drawing supplies though, I felt something light and cold on my head and thought uh-oh... the ripples on the water surface really left no doubt that it *just* started to rain. I half debated to take shelter in Philz next door and just wait it out, but in the end decided to hell it, I'm going to draw in the rain and just see how it turns out.
I hid under a medium-sized tree, which stopped the constant drizzle, but just had bigger droplets of water coming down once-in-a-while (hence the blobs on the bottom right corner) In the brief intermission between the drizzle, I was able to put in most of the details. The wet climate really made the reflections in the water blend in beautifully. As the drizzle started again, I quickly packed up and walked to my car in the awkward position of holding my watercolour pad upside down.
The portrait party at Arch was fun as well. We took turns posing for each other and it was a huge relief that I can finally stare at/sketch people without any fear of retaliation. It is a long-time weakness of mine that I could not sketch people in public without worrying about being discovered.
Tuesday, 6 March 2018
I was able to join a few sketchers/painters in South Bay for a paint out at Santa Clara Mission Cemetery a few weekends ago, thanks to my manager canceling my work trip the night before. I never really painted much around the area I live, so I was pleasantly surprised that this beautiful and serene location was only 10 mins away from my apartment.
On my own I would probably never come by because it is not my normal painting subject, but it was a nice change of pace to wander around the old cemetery and capture details that normally went unseen.
This little bird stopped atop the angel right as I was about to finish the piece, so I promptly added it in. One of the nice things about having extra long exposure time...aka, painting instead of taking a photograph, you always get plenty of time for the key players to gather.